On October 19th, 2024, the Indiana University ballet program performed four consecutive, yet extremely unique, ballets that I never expected to witness.
A few weeks ago, one of my close friends introduced me to a musical genre he coined as “Evil Techno.” This genre was unlike anything I had heard before– dark, rapid, and charged, it sounded like something you’d hear while watching a movie scene of 20-somethings partying at a euphoric underground rave somewhere in Europe, clad in black clothes and moody makeup.
