Karl Templeton
· March 23
Hannah Frances’ ‘Keeper of the Shepherd’ shows how grief and other deep emotions can be channeled into art
On a crisp fall evening last October, Hannah Frances played solo to a crowd at the Buskirk-Chumley Theater. She walked briskly across the stage as the lights illuminated her smile and her monochromatic outfit. Her voice and big electric guitar quickly filled the room. It didn’t take much for her to captivate this eager audience.
